Tag: Commercial Letterpress

  • Incline Press — No Longer Printing

    Incline Press — No Longer Printing

    Beginnings

    Spine labels are the unlike­ly start point for what is prob­a­bly the finest mak­er of books in Britain. Gra­ham Moss’ back­ground in teach­ing His­to­ry led to paper con­ser­va­tion, turn­ing in to a book repair busi­ness. Under­stand­ing how a book comes togeth­er meant a short step to bind­ing, and bind­ing needs those tiny print­ed slips — labels, book-plat­ed, binders’ tick­ets. Gra­ham got hold of a small Adana press in 1990 to print these com­po­nents of the books he bound and repaired.

    The more Gra­ham exper­i­ment­ed, the more he found the lim­i­ta­tions of this small press, and he bought an Arab. This had to be host­ed in the back yard shed, which opened on to Incline Road, Old­ham. The Incline Press was born. By 1993 the suc­cess of book repair helped Gra­ham leave teach­ing.

    First Books

    A chance meet­ing with illus­tra­tor Peter Carter arrived at the same time as pur­chase of a first edi­tion of The Desert­ed Vil­lage, a 1770 poem about depop­u­la­tion and the pur­suit of exces­sive wealth. Carter’s illus­tra­tion pro­vid­ed the title-page and this was teamed with Baskerville from John Eick­hof­f’s Acorn­type foundry.

    David Young’s 1993 Press Mark

    Enid Marx approached Gra­ham to ask if Incline Press would be inter­est­ed in col­lab­o­rat­ing on a new edi­tion of Nurs­ery Rhymes. Char­ac­ter­is­tic of the press, this book became the the first to be com­plet­ed, with the orig­i­nal Desert­ed Vil­lage shift­ing to sec­ond from Incline Press.

    Incline Press Established

    By 1999, Kathy Whalen, for­mer­ly the Man­u­scripts Librar­i­an at Bryn Mawr Col­lege near Philadel­phia, joined the press. This for­mi­da­ble part­ner­ship would dri­ve the press to pro­duce the most bril­liant work.

    New machin­ery in the form of a large AutoVic arrived and more late­ly a Lud­low to cast slugs of new type. New premis­es were need­ed and an 1820s join­er’s work­shop became the new base for the press with machine room at ground lev­el, accom­mo­da­tion above and case room and bind­ing in the base­ment.

    Old­ham, 1894 Ord­nance Sur­vey Map. Bow Street runs dog-legged in the cen­tre of the image.

    The press wel­comed two dogs, too. Red and Skip­per were the offi­cial com­pan­ion ani­mals of the Incline Press until the pass­ing over of Red in Novem­ber 2022.

    The print­ing and life part­ner­ship that had been formed in 1999 between Gra­ham and Kathy was bro­ken in April 2020 when Kathy passed away fol­low­ing eight years of liv­ing with can­cer. A com­mem­o­ra­tive book, Memen­to Mori: Memen­to Vivere is in pro­duc­tion in a style that Kathy would have enjoyed — the vari­ety of papers, colours, styles and tipped-in pages.

    Thirty Years of Printing

    For thir­ty years, the press has been cre­at­ing won­der­ful books, but also the whole range of print­ing that a pro­fes­sion­al local job­bing house might pro­duce: let­ter­head­ings, broad­sheets, and of course labels. Each book is planned from scratch in metic­u­lous detail — not always the specifics of which page will host which words, but the right com­bi­na­tion of face, stock, colours and bind­ing.

    Just as the weaver must choose her yarns, her colour­ways and her pat­tern before she can set about weav­ing her rug, so we select the type­faces, the illus­tra­tions, the cloth and paper for book and bind­ing, all of which is intend­ed to com­ple­ment the text that has first engaged us.”

    Gra­ham Moss and Kathy Whalen, Incline Press: A Brief Illus­trat­ed His­to­ry, 2000

    The pow­er of this approach came home to me when Gra­ham showed me Steel Hori­zon, a book about life on North Sea oil rigs, and for those left at home. The size of the book, the choice of indus­tri­al grey colours and sea-greens, words by Jonathan Won­ham and lino cuts by Nick Won­ham all come togeth­er.

    Oth­er cre­ative part­ner­ships include this BBC Radio pro­gramme with Gra­ham instruct­ing Eliza Carthy on trea­dle press oper­a­tion as part of a pro­gramme on the Man­ches­ter Bal­lads.

    2023

    2023 opens a new chap­ter in the life of Incline Press. The amal­ga­ma­tion between the Wig­town Press and Incline Press is more than tech­ni­cal, with Helen and Gra­ham mar­ry­ing in April. More sig­nif­i­cant from a print­er’s point of view is the decen­ni­al spring clean!

    As it cel­e­brates thir­ty years, the press con­tin­ues to pro­duce the most bril­liant work: from the small­est card to the most sump­tu­ous book.

    I am per­son­al­ly indebt­ed to Gra­ham for being one of the first peo­ple to encour­age me in print­ing, to teach me more about the craft and to be gen­er­ous in shar­ing skills, knowl­edge and equip­ment with oth­ers just start­ing out. Thank you.


    Year and Era

    1993 / Mod­ern

    Object Type

    Firms and Organ­i­sa­tions

    Location

    Bow Street, Old­ham, Lan­cashire


    Sources and More Information

    • Moss and Whalen; Incline Press: A Brief Illus­trat­ed His­to­ry, 2000

    Head­er Image: embed­ded from the Incline Press Flickr account.

  • Francis Cupiss, Diss

    Francis Cupiss, Diss

    Head­ing to see a friend in Anglia, I took the chance to con­tact John at Fran­cis Cupiss, Diss. The reply shot back that John was away but Richard would give us a glimpse of the works.

    We were invit­ed to step inside the epit­o­me of a prop­er print­ing works: cast iron guil­lo­tine, Columbian press, pair of Hei­del­berg Platens. In fact a peek around the cor­ner showed an Inter­type and the smell of the place was intox­i­cat­ing.

    Richard showed off the fir­m’s work, detailed, cre­ative, metic­u­lous work from the small­est busi­ness cards to delight­ful posters reflect­ing the fir­m’s first print­ing to pro­mote Cupiss’ Con­sti­tu­tion Balls for hors­es.

    Friends Wel­come
    Fam­i­ly by Appoint­ment

    Cupiss Poster, being print­ed on the Hei­del­berg

    Upstairs we were shown copies of the Suf­folk Stud Book: annu­als of horse breed­ing, but beau­ti­ful­ly bound and gold-blocked; halftone hors­es; and the lin­eage of beasts with long print­ers braces. All pro­duced in the same build­ing to the most exact­ing stan­dards.

    Cupiss, Diss

    Today, Cupiss offers every­day print­ing for the peo­ple of Diss, but are also a bea­con of let­ter­press print­ing.

    John and Richard run a com­mer­cial con­cern — this isn’t a work­ing muse­um or a hob­by print­er’s set-up gone too far. While they are still print­ing, please do keep them up and run­ning. The set up and Richard’s exper­tise and easy man­ner will be a remark­able head-start for any new let­ter­press print­er and the day of tuition/experience would be a great invest­ment for any print­er.

    Thank you, Cupiss Print­ers, for show­ing us around!

  • Maid in Britain: The sensory pleasures of printing and pressing

    Maid in Britain: The sensory pleasures of printing and pressing

    Mary from Maid in Britain has been in touch — the Ruf­ford Print­ing Co in Mawdes­ley, Lan­cashire helped me pro­duce a book­let — a first for them I think — type­set on the last Inter­type machine of its kind ever made and which was in use at the Guardian until 1987 — then hand print­ed on a Van­der­cook.

    This is all writ­ten up, and beau­ti­ful­ly pho­tographed on the Maid in Britain blog.

  • The Guardian: How To Print With Letterpress

    The Guardian: How To Print With Letterpress

    Not sure how I missed this, but a 2010 arti­cle with Phil Abel of Hand & Eye Let­ter­press in the Guardian.

  • The Telegraph: The polymath with a font of knowledge

    The Telegraph: The polymath with a font of knowledge

    An enjoy­able Tele­graph arti­cle about Kelvyn Smith, pro­pri­etor of Mr Smith’s Let­ter­press work­shop.  A thor­ough­ly nice man who was good enough to talk me through his approach to print­ing a cou­ple of years ago.

  • Press Here: Culross the Printers in the 1940s

    Press Here: Culross the Printers in the 1940s

    Friends at ​‘Press Here’ have a nice Face­book album of Cul­ross the Print­ers in the 1940s.

    https://www.facebook.com/media/set/?set=a.1511628588861248&type=1&l=235ed807c7
  • The Letterpress Collective, Bristol

    The Letterpress Collective, Bristol

    Nick Hand and Ellen Bills run the Let­ter­press Col­lec­tive in Bris­tol.  They run cours­es, under­take print­ing and organ­ise a print fes­ti­val each year.  Nick sus­pects (and I agree) that he is the only print­er to have a ful­ly fledged bicy­cle with a print­ing press on that has rid­den from Bris­tol to Mainz print­ing along the way.

    Cen­tre­space, 6 Leonard Lane, Bris­tol BS1 1EA
  • Letterpress Junction

    Letterpress Junction

    A great write-up by Justin Fen­ner of a new ven­ture by Ed Den­o­van — Let­ter­press Junc­tion — pro­vid­ing job­bing let­ter­press print­ing to design­ers.

    Best wish­es, Ed!

  • Adams of Rye

    Adams of Rye

    I saw this some time ago — Wall­pa­per* mag­a­zine had com­mis­sioned hand-made cov­ers, includ­ing this one by Antho­ny Bur­rill who asked Adams of Rye in Sus­sex to print it.

    This lat­er video, also by Bur­rill, has a more gen­er­al view of Adams.

    https://vimeo.com/117215370

  • People of Print: Justin Knopp, Typoretum

    People of Print: Justin Knopp, Typoretum

    I’m still catch­ing up on old links and found this Peo­ple of Print Inter­view from July: the ever-amaz­ing Typore­tum with Just Knopp at the helm.